Silvia Frigato - Soprano

Winner of the “Francesco Provenzale” International Baroque singing competition in Naples (2007), she furthers her studies under the guidance of Sara Mingardo. She regularly performs at numerous prestigious concert venues and festivals, including: Monteverdi Festival in Cremona; Musica e Poesia a San Maurizio in Milan; Centro di Musica Antica Pietà de’ Turchini in Naples; Festival della Valle d’Itria in Martina Franca; Misteria Paschalia in Krakow; KunstFestSpiele Herrenhausen in Hannover; Festival de Radio France in Montpellier, to name only a few. Ms. Frigato regularly collaborates with such artists as Rinaldo Alessandrini, Gianluca Capuano, Claudio Cavina, Ottavio Dantone, Antonio Florio, Lorenzo Ghielmi, Philippe Herreweghe, Sigiswald Kuijken and such ensembles as Collegium Vocale Gent, Accademia Bizantina, La Divina Armonia, La Venexiana, I Turchini, Gambe di Legno Consort, Sonatori de la Gioiosa Marca. Silvia Frigato has recorded for Naïve, Tactus, Brilliant and Glossa and her recordings have been broadcasted by RAI Radio 3, Radio France, ORF and many others. She recently performed: Euridice in Caccini’s L’Euridice at the Innsbruck Festival under Rinaldo Alessandrini; Mozart’s La Betulia Liberata at the Wratislavia Cantans Festival in Wroclaw under Corrado Rovaris and in Caldara’s Morte e Sepoltura di Cristo in Stavanger under Fabio Biondi.

Future plans: Orfeo ed Euridice by Gluck at the Maggio Musicale Fiorentino with Fderico Maria Sardelli and Denis Krief; L’Incoronazione di Poppea at La Scala under Rinaldo Alessandrini, in the new production by Robert Wilson; Logroscino’s Stabat Mater under Stefano Demicheli in Naples;  Il combattimento di Tancredi e Clorinda at the Monteverdi Festival in Cremona with Gianluca Capuano; Carissimi’s Jephte at the Bach Festival in Lausanne with  La Resurrezione in Trento and Brixen; Pergolesi’s Stabat Mater in Basel.

Krystian Adam - Tenor

Much in demand for the 17^th and 18^th serio and buffo repertoire, Polish tenor Krystian Adam regularly works with many of the most important conductors of the ‘historically informed practice’. Mr. Adam had recently starred in La Pietra del Paragone (Cavalier Giocondo) at the Théâtre du Châtelet in Paris.

Future plans: Mozart’s Idomeneo (under Marc Minkowski) and Le nozze di Figaro (under Antonio Pappano) at the Covent Garden; L’Occasione fa il Ladro at the Théâtre du Châtelet in Paris; Myslivecek’s L’Olimpiade with Collegium 1704 and Vaclav Luks and Gluck’s Demofoonte (title role) with Complesso Barocco and Alan Curtis, both at the Theater an der Wien; Haydn’s Philemon und Baucis in Montecarlo with Europa Galante and Fabio Biondi; Handel’s Giove in Argo with L’arte del Mondo and Werner Ehrhardt for the Handel Festival in Halle; Il Trionfo del Tempo e del Disinganno with La Risonanza and Bonizzoni; Die Zauberflöte at the Opéra Royal de Wallonie in Liège; Bach’s St. Matthew Passion with Akademie für Alte Musik in Berlin and Munich and with Collegium 1704 in Dresden and Prague; Bach’s B-minor Mass at the Maggio Musicale in Florence under Stefano Montanari; Zelenka’s Te Deum with Dresdner Kammerorchester in tour in Ostrava, Wrolaw and Annaberg; Il trionfo del Tempo e del Disinganno in France with La Risonanza and Fabio Bonizzoni.