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A Midsummer Night's Dream, Teatro Massimo, Palermo
September 2017

“like the Shakespearean woodland, that enchanting place where the action takes place, the orchestra has managed to wrap the stage in a supernatural atmosphere, well dosing the chromatic palette of its various sections, and gesturing with ease the different sound features present in the score without ever overwhelming the voices, with which it maintains instead a continuous dialogue”

(GBOPERA Magazine)

Romeo and Juliet, West-Australia Symphony Orchestra, Perth
March 2017

“Exquisite execution” […] “Cohen ensuring the performance [of Tchaikovsky’s Romeo and Juliet] was a model of refined taste.” ”

(Neville Cohn, The West Australia )

Lucia di Lammermoor, Deutsche Oper, Berlin
February 2015

“[Cohen's] attention to each instrumental section, especially the crucial woodwinds, was immaculate, and the players responded to his cajoling splendidly"

(Ako Imamura, BACHTRACK)

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