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Krystian Adam - Agenore
Much in demand for the 17th and 18th serio and buffo repertoire, the Polish
tenor Krystian Adam regularly works with many of the most important conductors
of the ‘historically informed practice’, such as John Eliot Gardiner, Giovanni
Antonini, Jean-Christophe Spinosi, Teodor Currentzis, Stefano Montanari, Andreas
Spering, Werner Ehrhardt, Rinaldo Alessandrini, Vaclav Luks, Fabio Biondi, Fabio
Bonizzoni, among others.
Among his most notable past engagements: Rossini’s La pietra del paragone and
Il Re Pastore at the Théâtre du Châtelet in Paris, both under Jean-Christophe Spinosi;
Monteverdi’s Vespro della Beata Vergine with the Monteverdi Choir and
John Eliot Gardiner in Cambridge, Versailles, Barcelona and at the Salzburg
Festival; Haydn’s Philemon und Baucis in Montecarlo with Europa Galante
and Fabio Biondi; Myslivecek’s L’Olimpiade, with Collegium 1704 and
Vaclav Luks at the Theater an der Wien; Bach’s Matthäus-Passion with the
Akademie für Alte Musik in Berlin and Munich; Bach’s B-minor mass at the
Maggio Musicale in Florence under Stefano Montanari; Handel’s Giove in Argo at
the Handel Festival in Halle with L’arte del mondo and Werner Ehrhardt;
L’Occasione fa il Ladro with the Orchestre
National de l’Ile de France under Enrique Mazzola at the Théâtre des
Champs Elysées; Mozart’s Idomeneo at the Covent Garden under Mark
Minkowski.
Future plans include: L’Orfeo (title
role and Pastore I) and Vespro della Beata Vergine with the Monteverdi
Choir and John Eliot Gardiner on tour in the Unites States (New York, San
Francisco, Washington, Costa Mesa, Chapel Hill) then in London (BBC Proms) and
Versailles; Le nozze di Figaro (under Antonio Pappano) at the Covent
Garden; Die Zauberflöte at the Opéra Royal de Wallonie in Liège; Bach’s Cantata
BWV 201 with Collegium 1704 at the Leipzig Bachfest
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