Particularly appreciated and in demand for the 17th and 18th century
repertoire, Polish tenor Krystian Adam regularly collaborates with
illustrious conductors such as Rinaldo Alessandrini, Giovanni Antonini,
Fabio Biondi, Ivor Bolton, Fabio Bonizzoni, Riccardo Chailly, Teodor
Currentzis, Sir John Eliot Gardiner, Vaclav Luks, Stefano Montanari,
Dabiel Oren, Raphael Pichon, Andreas Spering, Jean-Christophe Spinosi,
Jeffrey Tate.
He starred in the Monteverdi 450 project as Orfeo and Telemaco (Il
ritorno di Ulisse in Patria) and in Vespro della Beata Vergine,
a world tour conducted by Gardiner in the world's most prestigious halls.
Other engagements include: Le nozze di Figaro in London (Covent
Garden), Amsterdam, Lucerne; Idomeneo in Venice and at the Covent
Garden directed by Robert Carsen; Bach's Magnificat in Berlin with
the Deutsche Symphonie-Orchester and at the Festival d'Auvers-sur-Oise; La
Fanciulla del West (Joe) and Il Ritorno di Ulisse in Patria
at La Scala in Milan; Messiah at the Handel Festspiele in Halle,
and on tour, in Prague and Dresden with Collegium 1704 and Vaclav Luks and
with Spinosi on tour in Europe; Adriana Lecouvreur (Abate di
Chazeuil) in London directed by David Mc Vicar; Don Ottavio in Don
Giovanni (Fornasetti Project) in Milan and Tel Aviv; Mosè in
Egitto conducted by Stefano Montanari in Naples; San Giovanni
Battista by Stradella at the Salzburg Festival; Szymanowski’s King
Roger and Haydn’s Paukenmesse at the Wratislavia Cantans
International Festival; La Resurrezione with La Risonanza and
Fabio Bonizzoni; Rodelinda in Lyon conducted by Stefano Montanari;
Saul (Jonathan) in Brno.
Recent engagements include: Bach’s Matthäus-Passion at the
Théâtre des Champs-Elysées conducted by Vaclav Luks and on tour in Europe;
L'Ercole amante at the Opéra Comique and Versailles; Idomeneo
in Tel Aviv, Madrid, Athens and Mainz; La Pietra del Paragone and
II Re Pastore at the Théâtre du Châtelet; L’Incoronazione di
Poppea in Barcelona and Bilbao; Israel in Egypt with
Collegium 1704 on tour; Messiah at the Monteverdi Festival in
Cremona, Ravenna, Paris and with Musik Podium in Stuttgart and on tour; Oedipus
Rex with the Berliner Philharmoniker and Kirill Petrenko; Acis
and Galatea in Krakow; Scarlatti’s Griselda at the Martina
Franca Festival with George Petrou; Der Schauspieldirektor in
Warsaw; Haydn’s Orfeo in Düsseldorf; Beethoven’s Mass in C
major in Wroclaw; L'isola disabitata in Ravenna; Vespro
della Beata Vergine in Milan and Perugia; Alcina in Caen and
Versailles with Vaclav Luks; Apollo et Hyacinthus and Il
Trionfo del Tempo e del Disinganno at the Teatro La Fenice in
Venice; Les Dialogues des Carmélites with Michele Mariotti for the
season’s opening of the Teatro dell’Opera in Rome; Le Nozze di Figaro
in London (Covent Garden); Mozart’s Mass in C minor with
Jean-Christophe Spinosi in Lyon and Paris, at Maggio Musicale Fiorentino
and at the Teatro Filarmonico in Verona; Haydn’s Orfeo in Graz;
Handel’s Lotario at the Handel Festival in Halle; Haydn’s Orlando
paladino (Pasquale) with Il Giardino Armonico and Giovanni Antonini
in Madrid and Barcelona; Messiah at the Accademia Nazionale di S.
Cecilia in Rome and with Collegium 1704 on tour and Monteverdi's L'Orfeo
(title role) in Zurich under Dantone; Handel's Il Trionfo del Tempo e
del Disinganno with Il Giardino Armonico and Handel's Israel in
Egypt with Collegium 1704 in Wroclaw; and Mozart's Requiem on
tour with Vaclav Luks; Don Giovanni (Don Ottavio) at the Lithuan
Opera in Vilnius; Myslivecek's Adam and Eve at the National
Theatre in Prague; Handel's La Resurrezione at the Megaron Concert
Hall in Athens; and Mozart's Il re pastore (Agenore) at Teatro
dell'Opera in Rome.
His future engagements include: Monteverdi's L'Orfeo at the
Opernhaus Zurich and at the Glyndebourne Festival; Handel's Il Trionfo
del Tempo in Strasbourg with Les Accents and Bach's Matthäus-Passion
in Florence.
May 2025