Particularly appreciated and in demand for the 17th and 18th century
repertoire, Polish tenor Krystian Adam regularly collaborates with
illustrious conductors such as: Rinaldo Alessandrini, Giovanni Antonini,
Fabio Biondi, Ivor Bolton, Fabio Bonizzoni, Riccardo Chailly, Teodor
Currentzis, Sir John Eliot Gardiner, Vaclav Luks, Stefano Montanari,
Dabiel Oren, Raphael Pichon, Andreas Spering, Jean-Christophe Spinosi,
Jeffrey Tate.
He starred in the Monteverdi 450 project as Orfeo and Telemaco (Il
ritorno di Ulisse in Patria) and in Vespro della Beata Vergine,
a world tour conducted by Gardiner in the world's most prestigious halls.
Other engagements include: Le nozze di Figaro in London (Covent
Garden), Amsterdam, Lucerne; Idomeneo in Venice and at the Covent
Garden directed by Robert Carsen; Bach's Magnificat in Berlin with
the Deutsche Symphonie-Orchester and at the Festival d'Auvers-sur-Oise; La
Fanciulla del West (Joe) and Il Ritorno di Ulisse in Patria
at La Scala in Milan; Messiah at the Handel Festspiele in Halle,
and on tour, in Prague and Dresden with Collegium 1704 and Vaclav Luks and
with Spinosi on tour in Europe; Adriana Lecouvreur (Abate di
Chazeuil) in London directed by David Mc Vicar; Don Ottavio in Don
Giovanni (Fornasetti Project) in Milan and Tel Aviv; Mosè in
Egitto conducted by Stefano Montanari in Naples; San Giovanni
Battista by Stradella at the Salzburg Festival; Szymanowski’s King
Roger and Haydn’s Paukenmesse at the Wratislavia Cantans
International Festival; La Resurrezione with La Risonanza and
Fabio Bonizzoni; Rodelinda in Lyon conducted by Stefano Montanari;
Saul (Jonathan) in Brno.
Recent engagements include: Bach’s Matthäus-Passion at the
Théâtre des Champs-Elysées conducted by Vaclav Luks and on tour in Europe;
L'Ercole amante at the Opéra Comique and Versailles; Idomeneo
in Tel Aviv, Madrid and Athens; La Pietra del Paragone and II
Re Pastore at the Théâtre du Châtelet; L’Incoronazione di Poppea
in Barcelona and Bilbao; Israel in Egypt with Collegium 1704 on
tour; Messiah at the Monteverdi Festival in Cremona, Ravenna and
Paris; Oedipus Rex with the Berliner Philharmoniker and Kirill
Petrenko; Acis and Galatea in Krakow; Scarlatti’s Griselda
at the Martina Franca Festival with George Petrou; Der
Schauspieldirektor in Warsaw; Haydn’s Orfeo in Düsseldorf;
Beethoven’s Mass in C major in Wroclaw; L'isola disabitata
in Ravenna; Vespro della Beata Vergine in Milan and Perugia; Alcina
in Caen and Versailles with Vaclav Luks; Apollo et Hyacinthus and
Il Trionfo del Tempo e del Disinganno at
the Teatro La Fenice in Venice; Les Dialogues des Carmélites
with Michele Mariotti for the season’s opening of the Teatro dell’Opera
in Rome; Le Nozze di Figaro in London (Covent Garden);
Mozart’s Mass in C minor with Jean-Christophe Spinosi in Lyon and
Paris; Haydn’s Orfeo in Graz; Handel’s Lotario at the
Handel Festival in Halle; Haydn’s Orlando paladino (Pasquale)
with Il Giardino Armonico and Giovanni Antonini in Madrid and Barcelona; Messiah
at the Accademia Nazionale di S. Cecilia in Rome and with Collegium 1704
on tour and Monteverdi's L'Orfeo (title role ) in Zurich under
Dantone.
Among his future engagements, it is worth mentioning: Mozart's Great
Mass in C minor at the Salzburg Festival with Collegium 1704 and at
the Maggio Musicale Fiorentino; Handel's Israel in Egypt at the
Wratislawia Cantans Festival in Wroclaw with Collegium 1704; Handel's
Il Trionfo del Tempo e del Disinganno again in Wroclaw with Il
Giardino Armonico and Mozart's Idomeneo in Mainz.
July 2024