Krystian Adam - Tenor - W Print

Particularly appreciated and in demand for the 17th and 18th century repertoire, Polish tenor Krystian Adam regularly collaborates with illustrious conductors such as Rinaldo Alessandrini, Giovanni Antonini, Fabio Biondi, Ivor Bolton, Fabio Bonizzoni, Riccardo Chailly, Teodor Currentzis, Sir John Eliot Gardiner, Vaclav Luks, Stefano Montanari, Dabiel Oren, Raphael Pichon, Andreas Spering, Jean-Christophe Spinosi, Jeffrey Tate.

He starred in the Monteverdi 450 project as Orfeo and Telemaco (Il ritorno di Ulisse in Patria) and in Vespro della Beata Vergine, a world tour conducted by Gardiner in the world's most prestigious halls. Other engagements include: Le nozze di Figaro in London (Covent Garden), Amsterdam, Lucerne; Idomeneo in Venice and at the Covent Garden directed by Robert Carsen; Bach's Magnificat in Berlin with the Deutsche Symphonie-Orchester and at the Festival d'Auvers-sur-Oise; La Fanciulla del West (Joe) and Il Ritorno di Ulisse in Patria at La Scala in Milan; Messiah at the Handel Festspiele in Halle, and on tour, in Prague and Dresden with Collegium 1704 and Vaclav Luks and with Spinosi on tour in Europe; Adriana Lecouvreur (Abate di Chazeuil) in London directed by David Mc Vicar; Don Ottavio in Don Giovanni (Fornasetti Project) in Milan and Tel Aviv; Mosè in Egitto conducted by Stefano Montanari in Naples; San Giovanni Battista by Stradella at the Salzburg Festival; Szymanowski’s King Roger and Haydn’s Paukenmesse at the Wratislavia Cantans International Festival; La Resurrezione with La Risonanza and Fabio Bonizzoni; Rodelinda in Lyon conducted by Stefano Montanari; Saul (Jonathan) in Brno.

Recent engagements include: Bach’s Matthäus-Passion at the Théâtre des Champs-Elysées conducted by Vaclav Luks and on tour in Europe; L'Ercole amante at the Opéra Comique and Versailles; Idomeneo in Tel Aviv, Madrid, Athens and Mainz; La Pietra del Paragone and II Re Pastore at the Théâtre du Châtelet; L’Incoronazione di Poppea in Barcelona and Bilbao; Israel in Egypt with Collegium 1704 on tour; Messiah at the Monteverdi Festival in Cremona, Ravenna, Paris and with Musik Podium in Stuttgart and on tour; Oedipus Rex with the Berliner Philharmoniker and Kirill Petrenko; Acis and Galatea in Krakow; Scarlatti’s Griselda at the Martina Franca Festival with George Petrou; Der Schauspieldirektor in Warsaw; Haydn’s Orfeo in Düsseldorf; Beethoven’s Mass in C major in Wroclaw; L'isola disabitata in Ravenna; Vespro della Beata Vergine in Milan and Perugia; Alcina in Caen and Versailles with Vaclav Luks; Apollo et Hyacinthus and Il Trionfo del Tempo e del Disinganno at the Teatro La Fenice in Venice; Les Dialogues des Carmélites with Michele Mariotti for the season’s opening of the Teatro dell’Opera in Rome; Le Nozze di Figaro in London (Covent Garden); Mozart’s Mass in C minor with Jean-Christophe Spinosi in Lyon and Paris; Haydn’s Orfeo in Graz; Handel’s Lotario at the Handel Festival in Halle; Haydn’s Orlando paladino (Pasquale) with Il Giardino Armonico and Giovanni Antonini in Madrid and Barcelona; Messiah at the Accademia Nazionale di S. Cecilia in Rome and with Collegium 1704 on tour and Monteverdi's L'Orfeo (title role ) in Zurich under Dantone; Handel's Il Trionfo del Tempo e del Disinganno with Il Giardino Armonico and Handel's Israel in Egypt with Collegium 1704 in Wroclaw; and Mozart's Requiem on tour with Vaclav Luks.

His future engagements include: the Messa in C minor at Maggio Musicale Fiorentino and Filarmonico in Verona; Agenore in Mozart's Il re pastore at Teatro dell'Opera in Rome; Il Trionfo del Tempo in Strasbourg with Les Accents and Bach's Matthäus-Passion in Florence.

January 2025

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