Particularly appreciated and in demand for the 17th and 18th century
repertoire, Polish tenor Krystian Adam regularly collaborates with
illustrious conductors such as: Rinaldo Alessandrini, Giovanni Antonini,
Fabio Biondi, Ivor Bolton, Fabio Bonizzoni, Riccardo Chailly, Teodor
Currentzis, Sir John Eliot Gardiner, Vaclav Luks, Stefano Montanari,
Dabiel Oren, Raphael Pichon, Andreas Spering, Jean-Christophe Spinosi,
Jeffrey Tate.
He starred in the Monteverdi 450 project as Orfeo and Telemaco (Il
ritorno di Ulisse in Patria) and in Vespro della Beata Vergine,
a world tour conducted by Gardiner in the world's most prestigious halls.
Other engagements include: Le nozze di Figaro in London (Covent
Garden), Amsterdam, Lucerne; Idomeneo in Venice and at the Covent
Garden directed by Robert Carsen; Bach's Magnificat in Berlin with
the Deutsche Symphonie-Orchester and at the Festival d'Auvers-sur-Oise; La
Fanciulla del West (Joe) and Il Ritorno di Ulisse in Patria
at La Scala in Milan; Messiah at the Handel Festspiele in Halle,
and on tour, in Prague and Dresden with Collegium 1704 and Vaclav Luks and
with Spinosi on tour in Europe; Adriana Lecouvreur (Abate di
Chazeuil) in London directed by David Mc Vicar; Don Ottavio in Don
Giovanni (Fornasetti Project) in Milan and Tel Aviv; Mosè in
Egitto conducted by Stefano Montanari in Naples; San Giovanni
Battista by Stradella at the Salzburg Festival; Szymanowski’s King
Roger and Haydn’s Paukenmesse at the Wratislavia Cantans
International Festival; La Resurrezione with La Risonanza and
Fabio Bonizzoni; Rodelinda in Lyon conducted by Stefano Montanari;
Saul (Jonathan) in Brno.
Recent engagements include: Bach’s Matthäus-Passion at the
Théâtre des Champs-Elysées conducted by Vaclav Luks and on tour in Europe;
L'Ercole amante at the Opéra Comique and Versailles; Idomeneo
in Tel Aviv, Madrid and Athens; La Pietra del Paragone and II
Re Pastore at the Théâtre du Châtelet; L’Incoronazione di Poppea
in Barcelona and Bilbao; Israel in Egypt with Collegium 1704 on
tour; Messiah at the Monteverdi Festival in Cremona, Ravenna and
Paris; Oedipus Rex with the Berliner Philharmoniker and Kirill
Petrenko; Acis and Galatea in Krakow; Scarlatti’s Griselda
at the Martina Franca Festival with George Petrou; Der
Schauspieldirektor in Warsaw; Haydn’s Orfeo in Düsseldorf;
Beethoven’s Mass in C major in Wroclaw; L'isola disabitata
in Ravenna; Vespro della Beata Vergine in Milan and Perugia; Alcina
in Caen and Versailles with Vaclav Luks; Apollo et Hyacinthus and
Il Trionfo del Tempo e del Disinganno at
the Teatro La Fenice in Venice; Les Dialogues des Carmélites
with Michele Mariotti for the season’s opening of the Teatro dell’Opera
in Rome; Le Nozze di Figaro in London (Covent Garden);
Mozart’s Mass in C minor with Jean-Christophe Spinosi in Lyon and
Paris; Haydn’s Orfeo in Graz; Handel’s Lotario at the
Handel Festival in Halle; Haydn’s Orlando paladino (Pasquale)
with Il Giardino Armonico and Giovanni Antonini in Madrid and Barcelona
and Messiah at the Accademia Nazionale di S. Cecilia in Rome and
with Collegium 1704 on tour.
Among his future engagements, it is worth mentioning: Monteverdi's
L'Orfeo (title role ) in Zurich under Dantone; Mozart's Requiem
with the Warsaw Chamber Opera and Handel's Israel in Egypt with
Collegium 1704 at the Wratislawia Cantans Festival in Wroclaw.
April 2024