Krystian Adam - Gran Sacerdote di Nettuno

Much in demand for the 17^th and 18^th serio and buffo repertoire, the Polish tenor Krystian Adam regularly works with many of the most important conductors of the ‘historically informed practice’. Mr. Adam has recently starred in La Pietra del Paragone (Cavalier Giocondo) at the Théâtre du Châtelet in Paris under Jean-Christophe Spinosi and in Monteverdi’s Vespro della Beata Vergine with the Monteverdi Choir under John Eliot Gardiner in Cambridge, Barcelona, Versailles and at the Salzburg Festival. He also sang: Bach’s St. Matthew Passion with Akademie für Alte Musik in Berlin and Munich and with Collegium 1704 and Vaclav Luks in Prague and Dresden; Haydn’s Philemon und Baucis, with Europa Galante and Fabio Biondi in Monte-Carlo; Myslivecek’s L’Olimpiade with Collegium 1704 and Vaclav Luks in Prague and at the Theater an der Wien; Handel’s Giove in Argo at the Handel Festival in Halle and in Leverkusen with L’arte del mondo and Werner Ehrhardt; Zelenka’s Te Deum at the Wratislavia Cantans Festival and on tour with Vaclav Luks; Il Trionfo del Tempo e del Disinganno in Versailles with La Risonanza and Fabio Bonizzoni.

Future plans include: L’Orfeo (title role and Pastore I) and Vespro della Beata Vergine with the Monteverdi Choir and John Eliot Gardiner on tour in the Unites States (New York, San Francisco, Washington, Costa Mesa, Chapel Hill) and then in London (BBC Proms) and Versailles; Le nozze di Figaro (under Antonio Pappano) at the Covent Garden; Il Re Pastore at the Théâtre du Châtelet under Jean-Christophe Spinosi and L’occasione fa il ladro at the Théâtre des Champs-Elysées under Enrique Mazzola; Die Zauberflöte at the Opéra Royal de Wallonie in Liège; Bach’s B-minor Mass at the Maggio Musicale in Florence under Stefano Montanari; Respighi’s Lauda per la natività del Signore with the Rundfunk Sinfonie Orchester in Berlin.