Haydn’s Philemon und Baucis, with Europa Galante and Fabio
Biondi
Festival Primtemps des Arts, Monte-Carlo, March 27th
Myslivecek’s L’Olimpiade, with Collegium 1704 and Vaclav
Luks,
Theater an der Wien, Vienna, March 28th
Bach’s St. Matthew Passion, with Collegium 1704 and Vaclav
Luks,
Prague (Rudolfinum) April 15th
Dresden (Annenkirche) April 19th
Giove in Argo, with L’Arte del Mondo and Werner Erhard
Haendel Festspiele in Halle in Bad Lauchstädt, June 13th,
14th, 15th
Krystian Adam - Tenor
Much in
demand for the 17th and 18th serio and buffo repertoire,
the Polish tenor Krystian Adam regularly works with many of the most important
conductors of the ‘historically informed practice’. Mr. Adam had recently
starred in La Pietra del Paragone (Cavalier Giocondo) at the Théâtre du
Châtelet in Paris and in Monteverdi’s Vespro della Beata Vergine with the
Monteverdi Choir under John Eliot Gardiner in Cambridge, Barcelona and
Versailles; Bach’s St. Matthew Passion with Akademie für Alte Musik in
Berlin and Munich.
Future
plans include: Mozart’s Idomeneo (under Marc Minkowski) and Le nozze
di Figaro (under Antonio Pappano) at the Covent Garden; L’Occasione fa il
Ladro under Enrique Mazzola at the Théâtre du Châtelet in Paris;
Monteverdi’s Vespro della Beata Vergine with the Monteverdi Choir under
John Eliot Gardiner in Salzburg; Die Zauberflöte at the Opéra Royal de
Wallonie in Liège; Bach’s B-minor Mass at the Maggio Musicale in
Florence under Stefano Montanari; Zelenka’s Te Deum at the Wratislavia
Cantans festival and on tour with Vaclav Luks; Il trionfo del Tempo e del
Disinganno in Versailles with La Risonanza and Fabio Bonizzoni.
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