Krystian Adam (L’Orfeo - Orfeo / Pastore I; Vespro - tenor)

Much in demand for the 17th and 18th serio and buffo repertoire, the Polish tenor Krystian Adam regularly works with many of the most important conductors of the ‘historically informed practice’, such as John Eliot Gardiner, Giovanni Antonini, Jean-Christophe Spinosi, Teodor Currentzis, Stefano Montanari, Andreas Spering, Werner Ehrhardt, Rinaldo Alessandrini, Vaclav Luks, Fabio Biondi, Fabio Bonizzoni, among others.

Plans include: concerts with the Monteverdi Choir and John Eliot Gardiner in London (Wigmore Hall and BBC Proms) and Versailles; Le nozze di Figaro at the Covent Garden under Ivor Bolton; Die Zauberflöte at the Opéra Royal de Wallonie in Liège under Paolo Arrivabeni; Gluck’s Le Cinesi in Bad Lauchstädt under Werner Ehrhardt; Mozart’s C minor mass in Bordeaux and Toulouse under Raphaël Pichon; Bach’s Cantata BWV 201 at the Leipzig Bachfest under Vaclav Luks; Handel’s Messiah at the Handel Festival in Halle under Fabio Bonizzoni.

Francesca Aspromonte (L’Orfeo - Musica / Euridice / Messaggiera; Vespro - soprano)

Born in 1991, Francesca Aspromonte is rapidly establishing herself as one of the most interesting young sopranos for the baroque and classical repertoire.

Plans   include: a series of concerts with the Monteverdi Choir and John Eliot Gardiner in London (Wigmore Hall and BBC Proms) and Versailles; L’isola disabitata by David Perez in Lisbon with Divino Sospiro; a new production of Rossi’s L’Orfeo (Euridice) with Raphaël Pichon at the Opéra National de Lorraine in Nancy and on tour in France; “Amore Siciliano” with Cappella Mediterranea and Leonardo García Alarcón in Brugge; Haydn’s La Canterina with Capella Augustina and Andreas Spering for the Opening concert of the Brühler Schlosskonzerte; Cavalli’s Oristeo at the Théâtre National de la Criée in Marseille; concerts with the Geneva Camerata and David Greilsammer in Venice and Geneva; concert and recording for Outhere of Scarlatti’s Santa Editta with Mare Nostrum.

Gianluca Buratto (L’Orfeo - Caronte / Plutone; Vespro - bass)

A noble and round voice, Gianluca Buratto is rapidly establishing himself as one of his most versatile basses of his generation, being equally at home with baroque, classical, belcanto, romantic and XXth century music.

Plans include : a series of concerts with the Monteverdi Choir and John Eliot Gardiner in London ( BBC Proms) and Versailles;  Rigoletto  at the Festival Internacional de Musica de Bogotà and at the Sferisterio Opera Festival in Macerata; Die Zauberflöte at the Opéra Royal de Wallonie in Liège under Paolo Arrivabeni; Le Duc d’Albe in London for Opera Rara; La Bohème in Palermo; Guglielmo Ratcliff at the Wexford Festival Opera; Turandot in Montpellier; I Due Foscari in Amsterdam; Rota’s Mysterium at the Teatro Petruzzelli in Bari; I Due Foscari in Amsterdam. In 2016 he will have his first solo recital at the Wigmore Hall in London.