Marta Torbidoni
Soprano - W


 

RECENSIONI
I Masnadieri (role Amalia), Abao-Olbe, Bilbao,
October 2017
02/01/2018

"... a few days after the première was announced the soprano Marta Torbidoni. Given the circumstances his acting was correct. The voice is attractive in the center, sings with taste and moves well [... ..] In the moment of the applause Mika Kares and Marta Torbidoni were the only ones who have received the enthusiasm from the audience..."

(Josè M. Irurzon, Beckmesser)

"... the soprano Marta Torbidoni debuted in ABAO in a difficult and ungrateful role that she has been able to vocally develop in a laudable way with a very clean voice and a wide phrasing ..."

(Nora Franco, Gara)

"... After two failed attempts, the main female role was assigned to the young soprano Marta Torbidoni, who had sung Amalia at the Verdi Festival in Parma. It was a pleasant surprise because it proved to dominate the role both vocally and scenically. Its sung has a characteristic vibrato natural that is part of a youthful and expressive voice, with ease in any part of the weave. Although there was some less roundish acute, he was perfect in all the agility of the score especially in the air of the first act. The angel's look was there. It turned out to be the pleasant voice surprise of the evening and was deservedly applauded by the public at the end of the show ... "

(Javier del Olivo, Platea Magazine)

"... Marta Torbidoni at his debut in Bilbao, made a great performance thanks to his powerful voice and his character interpretation. In fact, the best time of the opera is when she sang Carlo vive with great sensibility and musicality when she discovered that her Carlo was not dead ... "

(Nino Dentici, El Correo)

"... Marta Torbidoni, third soprano on billboard, more singer than actress, I loved the admirable voice and phrasing, besides the coloring in the spectacular cabaletta Carlo vive?...Oh caro accento, fire proof for all the belcantists”.

(Asier Vallejo Ugarte, Scherzo)

“…Marta Torbidoni è stata la rivelazione della serata. Non avevo avuto finora la possibilità e l’occasione di ascoltarla dal vivo e mi ha fortemente colpito per la bella linea di canto, per la tenuta musicale, compreso il canto di agilità che il ruolo certo non le risparmia, e soprattutto per l’abilità nel dosare le dinamiche in suoni aerei, pianissimi seguiti da acuti rinforzati e ben emessi, per una interpretazione vibrante e coinvolgente. Un altro elemento, tra i giovani emergenti, da non perdere d’occhio. Il pubblico l’ha accolta tributandole un vero e proprio trionfo, ampiamente meritato.”

(Andrea Merli, I Teatri dell’Est)

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