"Colorado’s Time is a clear-voiced father with a seeming hidden past as an adventurous sailor (one of several moments where the text’s original imagery springs to life); he duets perfectly with Summers’s Disillusion in their ominous duet as they abandon Beauty to her fate."

(Nicholas Kenyon, The Telegraph)

"As her husband, Time, Jorge Navarro Colorado is milder-mannered, but his elegant tenor takes on a slow-burning sinister edge as his pompous proclamations intensify."

(Sarah Noble, The Guardian)

"The singing is often impressive, with each of the principals finding moments in which to shine. Navarro Colorado’s Time is vocally decisive, his text perfectly articulated."

(George Hall, The Stage)

"Tenor Jorge Navarro Colorado’s portrait of Tempo was beautifully crafted to bring out his thoughtful, responsible and uninteresting demeanor (...) and made his smoking marijuana and dance routine all the more shocking and amusing. His first aria, “Urne voi, che racchiudete,” enabled him to show off the sensitivity with which he is able to craft the vocal line, in which his subtle ornamentation and attractive coloring caught the attention. (...) His use of well-placed emotional emphases, dynamic contrasts, and delicate phrasing ensured that his feelings were clearly displayed and were always informed by the text. There was nothing excessive in his performance; everything was successfully managed to bring out the beauty of the music."

(Alan Neilson, OperaWire)

"All four singers command the stage with effortless authority. (...) All four are completely idiomatic Handel singers. (...) Jorge Navarro Colorado's lyrically-sung Tempo is not as lightweight as he might first appear."

(Mike Wheeler, Classical Music Daily)

"An engaging, dramatic narrative, blessed with a stellar cast. (...) Tempo and Disinganno reappear, dressed for a funeral. Their duet is superb, the contrast between Colorado’s higher tenor and Summers’ lower contralto adding to the poignancy."

(Catriona Graham, The Opera Critic)

“Otra de las voces más destacadas de la velada fue el tenor español –aunque apenas se prodiga en su país– Jorge Navarro Colorado. ...el alicantino encarnó al hijo de Ulisse ... con un timbre de enorme belleza, un rol que posee momentos más cantables, permitiéndole poder mostrar sus cualidades en fraseo, redondez, luminosidad, afinación y proyección. Es uno de esos tenores forjados en el canto barroco, con un discurso en el que no hay engolamientos ni impostaciones innecesarias. En él todo nace de la naturalidad, y se agradece enormemente, como demostró con un agudo muy limpio y redondo, que acompañó con una dicción muy cuidada. La homogeneidad entre sus registros de pecho y de cabeza es admirable, sosteniendo una línea de canto de enorme fluidez y flexibilidad, apoyado nuevamente por un bajo continuo de excelente nivel. Ornamentó con elegancia y muy metido en estilo, como demostró en sus intervenciones. Las escenas junto a su padre fueron, sin duda, de lo más destacado de la velada, destacando sobre manera el diálogo «O padre sospirato!/ O figlio desiato!». Por lo demás, se manejó con comodidad en un recitado de cierta sobriedad, con menor embellecimiento melódico que en otros pasajes, pero igualmente efectivos."

(Mario Guada, Cadalario)