Acclaimed as one of the most interesting artists
among his generation, Argentinian Juan Francisco Gatell’s voice has
been called luminous, seductive, elegant, and agile, his acting
dramatic and sensitive. He has appeared on opera and concert
stages throughout Europe, and in North and South America.
Francisco appeared on opera and concert stages throughout the world,
including Teatro alla Scala, Teatro la Fenice, Teatro Regio di Torino,
Teatro dell’Opera di Roma, Théâtre Champs-Élysées, Vienna Staatsoper,
Gran Teatre del Liceu, Teatro Real di Madrid, Amsterdam, Maggio
Musicale Fiorentino, Opera Bastille, LA Opera, Sofia, NCPA Pechino, New
National Theatre Tokio, Festival di Salisburgo, Rossini Opera Festival,
Festival Aix en Provence.
He performed under the most important Orchestra Conductors and Stage
Directors, such as: R. Abbado, J.Conlon,D.Gatti, R.Muti,
Y.Nezet-Séguin, D.Rustioni, A.Zedda, H.De Ana, M.Haneke, M.Mariotti,
D.Michieletto, P.Pizzi, L.Ronconi, G.Vick.
Francisco’s highlights roles are: Tamino-
Die Zauberflöte, Ferrando-
Così Fan Tutte, Don Ottavio-
Don Giovanni, i ruoli rossiniani de il Cavalier Belfiore-
Il viaggio a Reims, Conte d’Almaviva in
Barbiere di Siviglia, Idreno-
Semiramide, Paolo Erisso-
Maometto II, Rodrigo nella
Donna del Lago di Rossini, in Donizetti Nemorino-
Elisir d’Amore ed Ernesto-
Don Pasquale.
His most recent appearances were Fenton in
Falstaff,
Aix en Provence and Opera de Lyon as cond. D. Rustioni and Dir.
B.Kosky, and at Palau de Les Arts di Valencia, Dir. D.Rustioni - regia
M.Martone; in Mozart’s
Zaide (Gomatz) at Opera di Roma,
Il Barbiere di Siviglia
(Almaviva) at the Rossini Opera Festival in Pesaro, Don Ottavio and
Ferrando at Théatre de la Monnaie di Bruxelles in the Mozart-Da Ponte
project are in addiction to the resounding success of his Nemorino in
Elisir d’Amore at Teatro Real in Madrid .
In 2015 he was awarded the Aureliano Pertile Prize.
November 2021