Stefano Montanari - conductor
One of the most outstanding baroque violinists of his generation, Stefano Montanari
is now much in demand as a conductor with both modern and period orchestras. Stefano
Montanari was nominated for a Grammy Award for his recording of Purcell’s O
Solitude with Andreas Scholl for Decca. His recording of Bach’s Sonatas
and Partitas was published for the Italian music magazine Amadeus.
He recently wrote a Baroque Violin method, published by Carisch. M° Montanari lately
made his theatre debut at the Bolshoi Theater in Moscow conducting Così Fan
Tutte. In Venice, where he regularly appears both in opera and concert,
he recently conducted Cavalli’s Eritrea (first performance in modern
times), L’Inganno Felice and Don Giovanni. He also made
his debut with the Opera in Rome at the Terme di Caracalla conducting Il Barbiere
di Siviglia, an opera he also conducted at the Teatro Filarmonico in Verona.
Always active as a virtuoso violinist, Stefano Montanari has just played the whole
series of Bach’s Sonatas and Partitas at the Opéra de Lyon. After
a successful concert with the Orchestra del Maggio Musicale Fiorentino, he has been
reinvited to conduct Dido & Aeneas at the Opera in Florence,
Bach’s B minor mass and other symphonic concerts; he also recently
returned to I Pomeriggi Musicali in Milan conducting a symphonic concert. Stefano
Montanari obtained a huge success conducting Il Viaggio a Reims (new
production by Damiano Michieletto) in Amsterdam. His most recent engagements include:
Caldara’s Dafne at the Palazzo Ducale in Venice, Don Giovanni at
the Arena in Verona and Sonatas and Partitas for solo violin by
Bach at the Settimane Musicali in Stresa; Le Nozze di Figaro in
Como, Cremona and Brescia for the OperaLombardia circuit; an all Haydn concert series
for MiTo Festival and a series of concerts with the Orchestra I Pomeriggi Musicali
in Milan and at the Teatro dell’Opera in Florence. Stefano Montanari regularly collaborates
and records with jazz saxophonist, clarinetist and composer Gianluigi Trovesi.
Future plans: Agrippina in Antwerp; L’Elisir d’Amore and
symphonic concerts at the Teatro la Fenice in Venice; Così fan Tutte (Bolshoi)
in Moscow; Rossini’s Stabat Mater with the Warsaw Philharmonic
in Warsaw; concerts in Turin with the Filarmonica del Teatro Regio di Torino, in
Milan with the Orchestra I Pomeriggi Musicali, in Rome at the Accademia Filarmonica
Romana, and at the Handel Festival in Karlsruhe. He will also play in several
concerts with his own ensemble L’Estravagante in Italy and Europe, with the Arion
Baroque Orchestra in Montréal and he will return to the Opéra de Lyon involved in
several new projects, among which Die Entführung aus dem Serail and
a baroque concert.
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