One of the most outstanding baroque violinists of his generation, Stefano Montanari is now much in demand as a conductor with both modern and period orchestras. Stefano Montanari was nominated for a Grammy Award for his recording of Purcell’s O Solitude with Andreas Scholl for Decca. His recording of Bach’s Sonatas and Partitas was published for the Italian music magazine Amadeus. He recently wrote a Baroque Violin method, published by Carisch. M° Montanari lately made his theatre debut at the Bolshoi Theater in Moscow conducting Così Fan Tutte. In Venice, where he regularly appears both in opera and concert, he recently conducted Cavalli’s Eritrea (first performance in modern times), L’Inganno Felice and Don Giovanni. He also made his debut with the Opera in Rome at the Terme di Caracalla conducting Il Barbiere di Siviglia, an opera he also conducted at the Teatro Filarmonico in Verona. Always active as a virtuoso violinist, Stefano Montanari has just played the whole series of Bach’s Sonatas and Partitas at the Opéra de Lyon. After a successful concert with the Orchestra del Maggio Musicale Fiorentino, he has been reinvited to conduct Dido & Aeneas at the Opera in Florence, Bach’s B minor mass and other symphonic concerts; he also recently returned to I Pomeriggi Musicali in Milan conducting a symphonic concert. Stefano Montanari obtained a huge success conducting Il Viaggio a Reims (new production by Damiano Michieletto) in Amsterdam. His most recent engagements include: Caldara’s Dafne at the Palazzo Ducale in Venice, Don Giovanni at the Arena in Verona and Sonatas and Partitas for solo violin by Bach at the Settimane Musicali in Stresa; Le Nozze di Figaro in Como, Cremona and Brescia for the OperaLombardia circuit; La Clemenza di Tito in Moscow with the State Chamber Orchestra of Russia (Moscow Chamber Orchestra); an all Haydn concert series for MiTo Festival and a series of concerts with the Orchestra I Pomeriggi Musicali in Milan and at the Teatro dell’Opera in Florence.Stefano Montanari regularly collaborates and records with jazz saxophonist, clarinetist and composer Gianluigi Trovesi.
Future plans: Handel’s Rinaldo in Brussels, Paris and Karlsruhe; Agrippina in Antwerp; Il Barbiere di Siviglia, L’Elisir d’Amore and symphonic concerts at the Teatro la Fenice in Venice; Così fan Tutte (Bolshoi) in Moscow; Rossini’s Stabat Mater with the Warsaw Philharmonic in Warsaw; concerts in Turin with the Filarmonica del Teatro Regio di Torino, in Milan with the Orchestra I Pomeriggi Musicali, in Montreal with the Arion Baroque Orchestra, at the Teatro Real in Madrid and at the Handel Festival in Karlsruhe. He will return to the Opéra de Lyon involved in several new projects, among which Alceste and series of concerts.