Maurizio Benini
Conductor - W

After his debut at Teatro Comunale in Bologna started a career at the highest levels with many commitments in belcanto and Verdi’s repertoire in such theaters as the Paris Opera, the Staatsoper in Vienna, the ROH Covent Garden in London, the Liceu in Barcelona, the Teatro Real in Madrid, the Metropolitan Opera, Chicago Lyric Opera, the Théâtre du Capitole in Toulouse, The Fenice in Venice and in festivals such as the Glyndebourne Festival, The Edinburgh Festival, the ROF in Pesaro, Italy. Many are his recordings with the Opera Rara label and with Deutsche Grammophon.

REVIEWS
Stiffelio, Opéra de Monte Carlo, April 2013
07/05/2013

Quant au magnifique Orchestre philharmonique de Monte-Carlo, il impose, sous la battue précise de l’excellent chef italien Maurizio Benini, une sensibilité et une délicatesse dans le phrasé qui mettent en relief les subtilités instrumentales de la partition, tout en préservant l’intensité des grands ensembles, particulièrement nombreux dans Stifellio.
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Emmanuel Andrieu, concertonet.com


Dans la fosse, Maurizio Benini, bouillonne de vie. Sa direction est toute de raffinement sonore, de panache, l’équilibre des pupitres du Philharmonique Maison sans faiblesse, certaines teintes ou mates sont captivantes, chaque détail de l’instrumentation trouvant sa raison d’être.
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podcastjournal.net


Simon Boccanegra, Teatro Municipal Santiago del Chile
31/01/2012

“Maurizio Benini’s dynamic conducting matched the dramatic breadth and momentum of the staging.”

Opera, January 2012


Tosca, Teatro Real di Madrid
24/01/2004

.Buena prestacion de la orquesta y de su director Maurizio Benini.

(El Norte de Castilla, Gennaio 2004)

.Con grandiosidad, como ha de ser, dirige la obra Maurizio Benini, sabiendo crear y diluir tensiones.

(Gonzalo Alonso, 15 Gennaio 2004)

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(Gonzalo Alonso, 15 Gennaio 2004)


Zelmira, Edinburgh Festival
30/08/2003

.This opera is full of musical surprises. Maurizio Benini's sprightly conducting ignited a performance packed with energy and interest.

(Kenneth Walten, Scotsman, 1 September 2003)

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