Winner of
the Concorso Internazionale di Canto Barocco 'Francesco Provenzale',
Silvia Frigato regularly collaborates with conductors such as Rinaldo
Alessandrini, Fabio Biondi, Gianluca Capuano, Claudio Cavina, Ottavio
Dantone, Antonio Florio, John Eliot Gardiner, Daniele Gatti, Philippe
Herreweghe, Sigiswald Kuijken, Vaklav Luks, Stefano Montanari, Federico
Maria Sardelli.
Engagements
in past seasons include: Il Vespro della Beata Vergine with the
Monteverdi Choir conducted by Gardiner; L'Incoronazione di Poppea at La
Scala and Jommelli's L'Isola Disabitata in Naples with Alessandrini;
Gluck's Orfeo ed Euridice and Pell�as et M�lisande in Florence;
Pergolesi's Stabat Mater in Rome and Bilbao; Biber's Missa
Salisburgensis at the Salzburg Festival conducted by Vaclac Luks; La
Serva Padrona at the Purtimiro Festival in Lugo; a concert with music by
Anton Webern in Bologna; De Falla's El retablo de Maese Pedro at the
Teatro Regio in Parma; La Maddalena ai piedi di Cristo in Prague and
Dresden and L'Isola disabitata in Seville.
She is a regular guest at La Fenice in
Venice, where she performed Mirandolina (title role) by Martinů, La
sonnambula (Lisa), Cefalo and Procri by Krenek, Stabat Mater by
Pergolesi, Il Re Pastore, Pinocchio by Valtinoni and Le Baruffe by
Battistelli.
She starred in the Monteverdi Choir's
Monteverdi 450 project conducted by John Eliot Gardiner, touring the
world's most important theatres, which was followed by: La Clemenza di
Tito and a concert on music by Debussy with Maestro Moretti in Florence
(recently repeated at the Carlo Felice in Genoa); Atlanta (title role)
at the Donau Festwochen; Pergolesi's Stabat Mater in Verona; Stradella's
Amare e Fingere in Herne with the Ensemble Mare Nostrum, with whom he
also performed La Susanna in Warsaw, La Forza dell'amor paterno (concert
and recording) in Viterbo, Il Trespolo tutore (Ciro) in Caprarola and at
the Carlo Felice in Genoa; the concert Et manchi piet� at the Europa
Festival in Rome, Caserta with the Ensemble Arcadia and Anagoor;
Handel's Messiah with the Giuseppe Verdi Orchestra and Chorus in Milan,
at the Sala Verdi and Teatro Grande in Brescia with Cremona Antiqua and
with the Toscanini in Parma conducted by Enrico Onofri; La Maddalena ai
piedi di Cristo with Divino Sospiro in Malta; Apollo e Dafne in Helsinki
with the Finnish Baroque Orchestra; Pell�as et Melisande in Parma,
Modena and Piacenza; L'Incoronazione di Poppea in Budapest, Geneva and
Vicenza; Vespro della Beata Vergine in Cremona and Pordenone; concert
and recording of Boccherini's Stabat Mater; a series of baroque concerts
in Boston with Rinaldo Alessandrini and the Handel & Haydn Society
Orchestra; an all Monteverdi programme with Gardiner on tour in Italy
and in the most important baroque festival in Norway (Olavsfestival);
Orfeo ed Euridice at La Fenice and in Hannover and Il Trionfo del Tempo
e del Disinganno at Teatro Malibran; Il Barcheggio by Stradella in Genoa
with Mare Nostrum; a recital with Maestro Moretti at the Carlo
Felice in Genoa; Polittico Monteverdiano at the Festival Monteverdi in
Cremona; a concert at the Sale Apolinee in Venice with Accademia
Bizantina and Stradella�s San Giovanni Battista in Viterbo with Mare
Nostrum.
She teaches at the Santa Cecilia
Conservatory in Rome.
June 2024