Now considered as one of the most eclectic interpreters of recent years,
      Michele Gamba had his debut at Covent Garden Linbury Theatre conducting
      Mozart’s Bastien und Bastienne and a staged version of Berio's Folk
        Songs. He then appeared at the Berlin State Opera for a new
      production of Le nozze di Figaro directed by Jürgen Flimm, gaining
      great success from the audience and critics alike.
    After his assistantships with Antonio Pappano and Daniel Barenboim, he
      was invited to conduct for several important theaters and orchestras in
      Europe.
    After his debut at the Teatro alla Scala in Milan in 2016, he developed a
      strong collaboration with the famous opera house and orchestra, which led
      him to conduct nine productions in the past few years: the world premiere
      of Madina by Fabio Vacchi; the Opening Gala “A riveder le stelle”
      in 2020; L'elisir d'amore; Le nozze di Figaro; an
      all-Schumann recital and Schubert’s Winterreise with baritone
      Markus Werba; the highly acclaimed new production of Rigoletto
      staged by renowned Italian director Mario Martone; Médée;
      Puccini’s Turandot in the production which marked the composer’s
      centenary celebrations; and Tosca.
    He was invited to Dresden Semperoper to conduct Die Zauberflöte
      for the production which marked the reopening of the theatre after the
      pandemic. Other recent engagements have seen him regularly on the podium
      of Maggio Musicale Fiorentino (for several symphonic concerts and a new
      production of Linda di Chamounix directed by Cesare Lievi),
      Hamburg State Opera (Le nozze di Figaro), Stuttgart (La bohème
      and La sonnambula), Strasbourg Opera (Il barbiere di Siviglia),
      Toulouse Capitole (Macbeth), Tel Aviv Opera (Idomeneo and a
      new production of Le nozze di Figaro directed by David Pountney).
      At Rome Opera and Berlin Deutsche Oper he has conducted Rigoletto,
      at Turin Regio Aida.
    He recently opened the Washington National Opera with Il trovatore,
      gaining important recognition from the international critics, and had his
      debut at the Metropolitan Opera in New York with a concert and L’elisir
        d’amore, which was rated by the New York Times as “best performance
      of the year 2023”.
    Among the engagements of the 2025-26 season are: Timon Etùdes at
      the Teatro Regio di Parma, a suite that anticipates Timon of Athens
      that will premiere at Teatro alla Scala in 2027; the New Year’s concert at
      the Tiroler Festspiele Erl; Tosca at the Maggio Musicale
      Fiorentino; Turandot at the Teatro Lirico di Cagliari; and La
        Traviata at the Teatro alla Scala in Milan. 
    Particularly active in the symphonic repertoire and with a deep interest
      in new music, Michele has often conducted orchestras and ensembles like
      Orchestra Sinfonica Nazionale della Rai, Tokyo Symphony Orchestra,
      Duisburger Philharmoniker, Orchestre du Capitole de Toulouse, Orchestra
      Sinfonica di Milano, Divertimento Ensemble, Slovenian Philharmonic. He
      opened the 2019 edition of Milano Musica Festival and closed the 2021
      series, conducting a broad variety of new commissions by composers like
      Francesconi, Saunders, Vacchi, Reich, Adès, Poppe, offering programmes
      inspired by cultural curiosity and refinement, pairing great authors from
      nowadays to classics of the 20th century avant-garde, like Boulez,
      Zimmermann and Xenakis.
    Performing at the piano remains a true necessity for him - he keeps
      collaborating with many chamber music partners at Munich Gasteig, London
      Wigmore Hall, Berlin Philharmonie. Out now is the brand new CD Correspondences
      with cellist Martina Rudić, which offers fascinating parallels between
      Bach, Berio and Boulez.
    In recent years, he has been awarded the Premio Puccini on the occasion
      of the inaugural concert of the centenary and the Premio ForlìMusica for
      special services to music.
    Michele Gamba was born in Milan where he completed his musical studies at
      Conservatorio "G. Verdi" and read Philosophy at Milan State University,
      with a dissertation on Hannah Arendt - The Human Condition. He
      subsequently attended piano masterclasses with Maria Tipo at the Scuola di
      Musica di Fiesole, studied chamber music at the Royal Academy in London
      and orchestral conducting at Accademia Chigiana di Siena and Vienna
      Musikhochschule.
      
      September 2025