Serena Daolio - soprano
Winner of numerous international lyric contests such as Viñas in Barcelona and
the Renato Bruson Contest in Parma, Serena Daolio made her debut in 2001 as Violetta
in La Traviata in Cesena. One year later, she performed in Iphigénie
en Aulide at the Teatro alla Scala under Riccardo Muti, thus beginning
an international career that brought her to important international stages. Among
her successful appearances, it is worth mentioning: Carmen (Micaëla)
at the Teatro del Maggio Musicale Fiorentino; Turandot (Liù) with
the Israel Philarmonic Orchestra in Tel Aviv, Zubin Mehta conducting; Cordelia in
Cagnoni’s Re Lear at the Martina Franca Festival (CD released by
Dynamic); Suor Angelica in Il Trittico in Messina;
Magda in La Rondine in Palermo with the Orchestra Sinfonica
Siciliana; Madama Butterfly under Paolo Olmi. More recently, Serena
Daolio gained great success as Mimì in La Bohème in Naples and in Lübeck;
Nedda in I Pagliacci at the Teatro Regio in Parma; Liù in Turandot in
Florence, Zubin Metha conducting; Desdemona in Otello in Cagliari,
where she also sang Verdi’s Requiem and Mendelssohn’s Symphony n.2
“Lobgesang”. She sang Verdi’s Requiem also at the Anima Mundi Festival
in Pisa, under Aldo Ceccato. She made her debut as Leonora in Il Trovatore in
Como and at the Kiel Opera. Plans include revivals of La Bohème in
Lübeck.
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Cristina Melis - mezzo
Winner of the International Lyric Contest “Giacomo Lauri Volpi” and the International
Contest “Giuseppe Verdi” in Parma, Cristina Melis debuted as Azucena in Il Trovatore in
Parma. In the past seasons she performed in Ravel’s L’Enfant et Sortileges under
Yves Abel in Palermo, where she also starred in Schumann’s Manfred
and in La Gioconda (La Cieca). It is worth mentioning her collaboration
with the Arena in Verona, where she sang in Carmen, Traviata, Gounod’s Roméo
et Juliette and in a series of concerts on tour in Europe (Madrid,
London, Brussels, Berlin, Düsseldorf). She made her debut as Cenerentola
(title role) and as Isabella in L’Italiana in Algeri at the Teatro
Regio in Turin, as Carmen in Bergamo, as Azucena in Il Trovatore and
Amneris in Aida in Parma, Fenena in Nabucco on
tour in Italy. Cristina Melis also starred in Il Trovatore and Madama
Butterfly at the Opera in Kiel, El Amor Brujo in Cagliari, Evgenij
Onegin and Bruckner’s Te Deum in Bologna, Rossini’s
Stabat Mater in Reggio Emilia, Beethoven’s Mass in C major in Pisa,
Cavalleria Rusticana in Florence, Luisa Miller in Liège. Mrs. Melis
collaborated with such conductors as Armiliato, Arrivabeni, R. Abbado, Jurowski,
Bartoletti, Gatti, Wilson, Dinic, Campanella, Rizzi, Carella, De Bernart, Oren,
Conlon, Mariotti, Kovatchev and directors such as De Ana, Zeffirelli, Micheli, Sammaritani,
Pier’Alli, Trelinski.
Plans include : Carmen (title role), Eugene Onegin (Olga),
Rienzi (Adriano) and Nabucco (Fenena) at the Opernhaus in Kiel;
Scarlatti’s Stabat Mater at the Festival Anima Mundi in Pisa.
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Gianluca Buratto – bass
A noble and round voice, Gianluca Buratto is rapidly establishing himself as one
of his most versatile basses of his generation. Amongst his past successes: Macbeth with
Muti at the Salzburg Festival, Rome and Chicago; Solbiati’s La Leggenda (world
première) in Turin with Noseda; Le Nozze di Figaro (Bartolo) in
Barcelona with Rousset; L’Incoronazione di Poppea (Seneca) at the
Innsbruck Festival; La Bohème (under the baton of Chailly) and I
Due Foscari in Valencia; Macbeth at the Teatro alla
Scala in Milan; Rota’s Mysterium at the Vatican City, in Naples
and Milan (where the concerts were recorded by Decca); Rigoletto in
Genoa under Luisi; Handel’s Rinaldo and Admeto at
the Theater an der Wien; Rota’s Il cappello di paglia di Firenze and
I Puritani in Florence; Monteverdi’s L’Orfeo with Rousset
and Les Talens Lyriques in Nancy and Paris; La Bohème at
the Terme di Caracalla in Rome and in Amsterdam.
Future plans: Monteverdi’s L’Orfeo (Caronte and Plutone)
and Vespro della Beata Vergine with the Monteverdi Choir and John
Eliot Gardiner on tour in the Unites States (New York, San Francisco, Washington,
Costa Mesa, Chapel Hill) and then in London (BBC Proms) and Versailles; Rigoletto at
the Festival Internacional de Musica de Bogotà and at the Sferisterio Opera Festival
in Macerata; Die Zauberflöte in Liège and in Charleroi; Le
Duc d’Albe in London for Opera Rara; La Bohème in
Palermo; Turandot in Montpellier; I Due Foscari in
Amsterdam. Gianluca Buratto will sing again Mysterium at the Teatro
Petruzzelli in Bari.
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Gianluigi Gelmetti – conductor
Music director of the Orchestre Philharmonique de Monte-Carlo.
Conductor and composer, Gianluigi Gelmetti, is one of today’s most prestigious conductors.
Since his debut with the Berlin Philharmonic, the Italian conductor regularly appears
on the podium of the world’s most important opera houses and festivals. M° Gelmetti
was Principal Conductor of the Stuttgart Radio Symphony Orchestra for ten years
and Music Director of the Teatro dell’Opera in Rome from 2000 to 2009; he was Principal
Conductor and Artistic Director of the Sydney Symphony Orchestra. He also regularly
works at the at the Royal Opera House - Covent Garden as well as in the most important
theaters in the world. In Italy he performed many works by Rossini at Rossini Opera
Festival in Pesaro, thus receiving the Rossini d’Oro Prize for his Guillaume
Tell. M° Gelmetti was honored with the title of “Chevalier de l’ordre des
arts et lettres” in France and appointed “Cavaliere di Gran Croce” in Italy.
Among his past engagements, it is worth mentioning: Falstaff, Francesca da Rimini,
Mefistofele, L’Amica and Das Rheingold at the Opéra
in Monte Carlo; Guillaume Tell in Zurich; La Forza del Destino in
Parma, where he also conducted Un Ballo in Maschera at the Verdi Festival; Les
Vêpres Siciliennes in Naples; Turandot in Tokyo; Il Barbiere
di Siviglia in Toulouse; La Fanciulla del West in
Liège; numerous symphonic concerts in Berlin and Copenhagen. M° Gelmetti recently
conducted La Traviata and Mozart’s Requiem in
Trieste, where in the past seasons he conducted La Clemenza di Tito, Rossini’s Stabat
Mater and Un Ballo in Maschera. He recently obtained a
great success conducting Guillaume Tell in Monte Carlo and in Paris (Théâtre
des Champs-Elysées).
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Basilica
S. Maria di
Aracoeli
Rome
March 14th, 2015
Concattedrale “Gran Madre di Dio”
Taranto
March 16th, 2015
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