Born in Tirana, Enkelejda Shkoza studied at the Conservatory of her
      hometown. She made her debut in Strasbourg in Pergolesi’s Stabat Mater.
      After moving to Italy, she graduated in singing from the G. Verdi
      Conservatory in Milan and won first prize at the Leyla Gencer
      International Competition in Istanbul the same year. She later debuted in
      major Italian and European theaters: Rossini Opera Festival in Pesaro,
      Teatro Regio in Turin, Donizetti Theatre in Bergamo, Comunale in Bologna,
      and Teatro San Carlo in Naples.
    Invited to London’s Covent Garden for Rigoletto and Così fan
        tutte, she returned in later seasons with Madama Butterfly,
      The Queen of Spades, Matilde di Shabran, and Madama
        Butterfly. Important debuts followed at the Opéra Bastille in Paris
      (including the new production of Les contes d'Hoffmann), Théâtre
      du Châtelet, Opéra Garnier, Théâtre de la Monnaie, La Scala in Milan (with
      Petite Messe Solennelle), Semperoper Dresden, Vienna State Opera
      (including a new production of Roberto Devereux).
    She regularly collaborates with conductors such as Sir Colin Davis,
      Riccardo Chailly, Bruno Campanella, Myung-Whun Chung, James Conlon, Daniel
      Oren, Antonio Pappano, Fabio Luisi, Daniele Gatti, Evelino Pidò, Fabio
      Biondi, Donato Renzetti, Carlo Rizzi, Daniele Rustioni, Vladimir Jurowski.
    Her past performances include: La Damnation de Faust in
      Amsterdam, Lisbon, Madrid, and Leipzig State Opera; La Cenerentola,
      Gianni Schicchi, and Suor Angelica in Amsterdam; Carmen
      at the Monte Carlo Opera and Munich; La Cenerentola at La Monnaie
      in Brussels; Rigoletto, La Damnation de Faust, Madama
        Butterfly at the Royal Theatre in Madrid; Maometto II in
      Strasbourg and Bilbao; Madama Butterfly, Falstaff, La
        Forza del Destino at the Liceu in Barcelona; La Straniera at
      London’s Royal Festival Hall; Guillaume Tell in London, Bologna,
      Palermo, and Lyon; Maria Stuarda at the Rome Opera; Roberto
        Devereux at the Théâtre des Champs-Élysées in Paris; Les Contes
        d’Hoffmann at the Metropolitan Opera in New York; La Fille du
        régiment at London’s Royal Opera House; Aida and Un
        ballo in maschera in Toulon; Il Trovatore in Parma,
      Macerata, Cagliari, Frankfurt, Toulon, Tenerife, and Tel Aviv; L’Italiana
        in Algeri in Treviso and Ferrara; Falstaff at Teatro San
      Carlo in Naples and Palma de Mallorca; La Forza del Destino in Tel
      Aviv; the diptych Suor Angelica and Turandot by Busoni at
      Teatro Lirico di Cagliari; Nabucco in Turin and Lyon; Pelléas
        et Mélisande in Parma; Aida in Nancy and Russia; Lakmé
      and the diptych Damoiselle élue / Jeanne d’Arc au bûcher at the
      Royal Theatre in Madrid; Zazà by Leoncavallo in Vienna; Falstaff
      in Bari; Rimsky-Korsakov’s Christmas Eve in Frankfurt.
    She has performed Verdi’s Requiem many times in cities such as
      Paris, Dublin, Lisbon, Tenerife, and Tel Aviv, and sang Rossini’s Stabat
        Mater at the Rossini Opera Festival in Pesaro. She took part in the
      world premiere of Menotti’s Missa Solemnis pro Jubileo Domini Nostri
        Tertio Millennio at the Colosseum in Rome.
    Her discography includes the collection Il Salotto, Rossini’s Otello,
      La Straniera (Isoletta) and Maria di Rohan for Opera Rara,
      Thaïs and Cavalleria Rusticana (Decca), Moïse et
        Pharaon (ROF) conducted by Vladimir Jurowski, Béatrice et
        Bénédict and La Damnation de Faust (London Symphony
      Orchestra) conducted by Sir Colin Davis, Madama Butterfly (EMI)
      conducted by Antonio Pappano.
    Among her recent engagements: Il Tabarro at the Rome Opera;
      Puccini’s Trittico (Frugola, Suor Zelatrice, Zita) at the Salzburg
      Festival and Paris National Opera; Il Trovatore at the Verdi
      Festival in Parma; Un ballo in maschera in Tenerife and Marseille;
      Pelléas et Mélisande in Modena and Piacenza; Falstaff in
      Athens; Otello (concert version) at Aix-en-Provence on tour with
      Teatro San Carlo Naples; Rusalka (Jezibaba) at Palau de les Arts
      in Valencia; Madama Butterfly at London’s Royal Opera House Covent
      Garden; Gianni Schicchi (Zita) with the Haydn Orchestra of Bolzano
      and Trento; Rimsky-Korsakov’s Christmas Eve (Solocha) in
      Frankfurt; and Aida (Amneris) at Teatro Lirico di Cagliari.
    Notable in the 2025-26 season: Verdi’s Otello at Teatro Real in
      Madrid.
      
      August 2025