A renowned conductor in both the operatic and symphonic worlds, Asher
Fisch is especially celebrated for his interpretative command of core
German and Italian repertoire of the Romantic and post-Romantic era. He
conducts a wide variety of repertoire from Gluck to contemporary works by
living composers.
Since 2014, Asher Fisch has been the Principal Conductor and Artistic
Advisor of the West Australian Symphony Orchestra (WASO). His former posts
include Principal Guest Conductor of the Seattle Opera (2007–2013), Music
Director of the New Israeli Opera (1998– 2008), and Music Director of the
Wiener Volksoper (1995–2000).
Born in Israel, Fisch began his conducting career as Daniel Barenboim’s
assistant and kappellmeister at the Berlin Staatsoper. He has built his
versatile repertoire at the major opera houses such as the Metropolitan
Opera, Lyric Opera of Chicago, San Francisco Opera, Teatro alla Scala,
Royal Opera House at Covent Garden, and Semperoper Dresden. Fisch has
conducted at leading American symphony orchestras including those of
Boston, Chicago, Cleveland, New York, and Philadelphia. In Europe, he has
appeared at the Berlin Philharmonic, Munich Philharmonic, London Symphony
Orchestra, Leipzig Gewandhaus Orchestra, and the Orchestre National de
France, among others.
Highlights of Asher Fisch’s recent seasons include Les Dialogues des
Carmélites, Pagliacci and Schitz at the Israeli
Opera in Tel Aviv, Carmen and Adriana Lecouvreur at the
Wiener Staatsoper, Lear at the Teatro Real de Madrid, Der
Rosenkavalier, Lohengrin, Otello and La forza del
destino at the Teatro Comunale di Bologna, Cavalleria Rusticana
and Pagliacci at the Tokyo Metropolitan Theatre, Tannhäuser
at Opera Australia and at the Tokyo National Theater, Carmen, Die
Zauberflöte, and Parsifal at the Bayerische Staatsoper, Ariadne
auf Naxos with the Bayerische Staatsoper at the Hong Kong Arts
Festival, as well as concerts with the Düsseldorfer Symphoniker,
Queensland Symphony, Sydney Symphony, Colorado Symphony, Naples
Philharmonic, New Zealand Symphony Orchestra and Indianapolis Symphony
Orchestra and a gala concert at the Hungarian National Opera.
Asher Fisch’s recent recordings with WASO include Wagner’s Tristan
und Isolde in 2018, which won Limelight Magazine’s Opera Recording
of the Year in 2019, Bruckner’s Symphony No.8 and tenor Stuart
Skelton’s first solo album Shining Knight, all of which were
released on ABC Classics. Fisch’s recording of Ravel’s L’heure
espagnole with the Munich Radio Orchestra won Limelight Magazine’s
Opera Recording of the Year in 2017. In 2015, he recorded the complete
Brahms symphonies with WASO, released on ABC Classics to great acclaim.
His recording of Wagner’s Ring Cycle with the Seattle Opera was
released on the Avie label in 2014. His first Ring Cycle recording,
of the Helpmann award-winning State Opera of South Australia production,
garnered praise and awards including the Prix Lauritz Melchior and
Académie du disque lyrique Paris. Fisch is also an accomplished pianist
and has recorded a solo disc of Wagner piano transcriptions for the Melba
label.
In April 2024, Asher Fisch was appointed as the new Music Director at the
Tyrolean Festival Erl in Austria.
October 2024