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Corrado Rovaris is Music Director of the Opera Company of Philadelphia since
2004 and Principal Conductor of the Orchestra I Virtuosi Italiani.
As a regular guest in many of the Italy’s most prestigious opera houses, Mr.
Rovaris’ opera history includes multiple productions at Teatro alla Scala
(Milan), Maggio Musicale Fiorentino (Florence), Teatro La Fenice (Venice),
Teatro Comunale di Bologna, the Opera de Lyon, Theatre Municipal de Lausanne
and the Rossini Opera Festival (Pesaro), to name a few. In
symphonic repertoire, he regularly conducts the Orchestra e Coro del Maggio
Musicale Fiorentino, the Orchestre de Chambre de Lausanne, the Danish Radio
Sinfonietta, the Orchestra de la Theatre Royal de la Monnaie (Brussels),
Accademia Nazionale di Santa Cecilia (Rome) , and Orchestra Sinfonica Giuseppe
Verdi (Milan).
Mr. Rovaris opens his 2008/2009 season conducting a new production designed by
internationally-renowned artist Jun Kaneko of Beethoven’s Fidelio with
the Opera Company of Philadelphia. With that company he also conducts
this season l’Italiana in Algeri, and a double-bill of L’enfant et les
sortilege and Gianni Schicchi. In October he conducts the
Tucker Gala, with the Metropolitan Opera Orchestra, featuring among others
guest soloists Susan Graham and Bryn Terfel.
Each season he leads his own orchestras in Italy, in concerts throughout
Italy. In January 2009 he conducts the Orchestra I Pomeriggi Musicali in
Milan, and in that same month into February, I Virtuosi Italiani. In
February he conducts the Orchestra Sinfonica del Friuli-Venezia-Giulia, with
Benedetto Lupo. He returns to Philadelphia in March for a production of Wozzeck
with the Curtis Intstitute.
Born in Bergamo Italy, Mr. Rovaris studied organ and composition at the Giuseppe
Verdi Conservatory of Milan, after which he served as assistant chorus master
at the Teatro alla Scala (Milan) from 1992 until 1996. He began conducting,
almost by accident when, in 1996 in Milan, he was thrust into that role when,
by virtue of a conductor’s falling ill and there being no substitute available,
he led a performance of Il filosofo di campagna by the Venetian
composer Baldassare Galuppi. This production, by a noted Italian touring
company AsLiCo, subsequently toured many of the opera houses throughout Italy,
and led to an invitation to conduct at the Teatro Comunale in Florence.
He was then invited to conduct Il Signor Bruschino at the 1997 Rossini
Opera Festival in Pesaro, where he was invited again in 1998, for the
Festival’s opening production of Otello.
From this accidental beginning Mr. Rovaris was soon appearing in many of the
major Italian houses including Teatro alla Scala (Il Signor Bruschino, Un Giorno
di Regno, Il barbiere di Siviglia, L’italiana in Algeri), Teatro
La Fenice (Don Pasquale), Teatro dell’Opera di Roma (L’elisir d’amore)
and internationally for the Opera de Lyon (La cambiale di matrimonio),
Theatre Municipal de Lausanne (Luisa Miller and Rigoletto) and
Japan Opera Foundation Tokyo (L’italiana in Algeri).
Making his US debut relatively early on in 1999 with the Opera company of
Philadelphia (Le nozze di Figaro), he quickly became a company regular,
conducting L’Italiana in Algeri the next year, Don Giovanni, and La
Traviata, which eventually lead to his appointment as the company’s
music director in 2004. He was soon invited to conduct at the Santa Fe
Opera (Simon Boccanegra 2004 and La Boheme 2007) and returns in
summer 2009 for L’elisir d’amore.
January 2009